Blog/Wrestling coaching

What to film at a wrestling tournament

If you're a parent at a tournament with a phone, you're sitting on the single most valuable coaching tool your wrestler has. Here's exactly what to film, how to set up, and what to skip.

June 5, 2026 6 min read
Wrestlers training

Why filming matters more than coaching from the chair

Most kids can't process verbal coaching mid-match. They can absolutely process watching themselves on film an hour later, calm, with a coach's voice walking them through what happened. This is why every Division I wrestling program films every match and reviews them.

You don't need a tripod, a camera operator, or a $1,000 camcorder. A modern phone propped on a gym bag, held steady, beats the equipment most college programs had ten years ago.

Phone setup that works in any gym

Film in landscape (horizontal). Always. Vertical video crops out half the mat and is unusable for review.

Sit at mat level if you can — bleacher angle is fine but loses depth on shots. If you're using your phone's built-in camera, lock the focus and exposure on the center of the mat by long-pressing before the match starts.

  • Landscape orientation, every time
  • Stable surface — a small phone tripod is $15 and worth it
  • Frame the whole mat, not just your wrestler
  • Lock focus and exposure before the whistle
  • Film start to finish — don't pause between periods

The 4 things worth filming

Every full match your wrestler is in. Even the blowouts — especially the blowouts. You learn more from a 12-0 loss than from a 6-2 win.

Warm-ups and drilling — only if your wrestler has a specific question ("is my stance tipping forward?"). Otherwise skip it.

Tournament corrections — between matches, film any 30-second technique their coach is showing them so they can watch it again the next morning.

Their opponent in the next round, if you can see who it is. Two minutes of footage of how the next opponent wrestles is worth a week of guessing.

What NOT to film

Don't film the warm-up jog. Don't film other people's kids without asking — coaches and parents get touchy about it. Don't zoom — zoomed footage on a phone goes blurry the second anyone moves quickly.

And don't trust yourself to remember what happened in any specific match. Memory is unreliable; film isn't.

After the tournament — what to do with the footage

Pick the most important match — usually the closest loss — and trim out one 30 to 60 second clip of a specific position that went wrong. A shot that didn't finish. A scramble they got pinned in. An escape attempt that failed.

Upload that clip with one question to Eagle Eye: "why did I get turned here?" or "how do I finish this shot?". A national-team coach sends back a video breakdown. That clip-plus-feedback loop is how college wrestlers improve, now available to anyone with a phone.

Frequently asked questions

What's the best phone setup for filming wrestling?

Phone in landscape on a small tripod or stable surface, at mat level, framed wide enough to see the whole mat. Lock focus and exposure before the whistle. That setup beats $500 of equipment used incorrectly.

Should I film every match?

Yes. Storage is cheap and you'll regret not having footage more often than you'll regret having too much. You only need to review the matches that matter, but you should capture all of them.

Can I send phone video for coaching review?

Yes — phone video is exactly what services like Eagle Eye are built for. Upload a short clip (under 5 minutes), ask one specific question, and get a private coach video response in 1–2 days.

Get a national-team coach on your film

Upload a clip, ask one question, get a personal video breakdown from Coach Deron Winn — typically in 1–2 days.

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